Tag: poetry

Translation for Mistress Rosalind

Calligraphed version courtesy of Mistress Rosalind

Before Gideon ap Stephen was Laurelled at Ymir 2020, Mistress Rosalind asked me to translate the poem she had written to release Gideon from his apprenticeship into Old English. I happily did so — I love translations and find it a great challenge! Below is the text that I sent her; I also sent her a (very rough) recording for pronunciation. While I usually don’t use ċ (/ch/) or ġ (/j/) in my translations as they are entirely a modern conceit for transcription, I included them here to help indicate the pronunciation differences from c (/k/) and g (/g/) for performance.

Original Translation
Gideon ap Stephen     great of heart Gideon ap Stephen     great in breostsefan
A word-warrior     for the Knowne World Cyneword-ċempa     for þære cuþre worulde
Famed for ferocity     in defense of humble folk Rof for reþnesse     in randġebeorh eadmede-folces
Awesome of hair     a voice ocean-deep Seldlic in feaxe     stefn ġeofon-sidu
In prose and poetry     you have shown your prowess þurh wordcræft ond woþcræft     þin ġewald þu ġeseþe
Our path together     of time and travel Ure gomenwaþu to-gædere     on geongum ond byrum
Late night counsel     creation and craft Nihtlangum leoþurunum     listum ond sceaftum
We, your mentors     you, a man of our houses Wit, þin rædboran,     þu, reord-berend unċer inhireda
Now ends your oath     of fealty to us Nu endaþ þin aþ     to us of heldan
We take back the belt     once gladly bestowed Wit oþfeorraþ þone fetel     fore fuslice ġelacodon
But our heart-bond     can never be broken Ac ure breostsefa-bend     ne abirsteþ næfre

 

Translation Translator’s Notes Regarding Particular Choices
Gideon ap Stephen     great in breostsefan Breostsefa  = mind or heart, literally “the mind in the breast”
Cyneword-cempa     for þære cuþre worulde Cyneword-cempa = champion of fitting words
Rof for reþnesse     in randgebeorh eadmede-folces Randgebeorh = protection such as that afforded by a shield
Seldlic in feaxe     stefn geofon-sidu Seldlic = rare, strange, wondrous, extraordinary, having unusual good qualities
Sid = wide, broad, spacious, and is specifically usually applied to the ocean, world, and universe
þurh wordcræft ond woþcræft     þin gewald þu geseþe Syntax of second half-line is “your prowess you show”
wordcræft = the art of speaking and writing
woþcræft = the art of poetry or song
gewald = power, mastery (I chose it for the latter meaning)
Ure gomenwaþu to-gædere     on geongum ond byrum Syntax of second half-line is “of travels and times”; I chose to make plural because there was presumably more than one
Byre has many meanings, but I particularly like the translation of “an event, a favourable time, an opportunity”
Nihtlangum leoþurunum     listum ond sceaftum Syntax of second half-line is “craft and creation”
nihtlang = night-long
leoþurun = counsel conveyed in verse (I thought this meaning was appropriate!)
list = art, skill, cunning, craft, artifice
Wit, þin rædboran,     þu, reord-berend uncer inhireda Wit = dual for Mistress Rosalind and Master Dunstan
reord-berend = fig. person/man, lit. voice-bearer/one gifted with speech
in-hired = family, household, house (I liked the triple meaning)
Nu endaþ þin aþ     to us of heldan
Wit oþfeorraþ þone fetel     fore fuslice gelacodon
Ac ure breostsefa-bend     ne abirsteþ næfre Repeating breostsefa from the beginning

 

Poetry Translation for Master Eldred Ælfwald Þegn’s Scroll

In early 2019, Master Eldred Ælfwald requested that Lady Kaaren Valravn create his court baron scroll (scroll information here). In turn, she asked Lord Ishmael Reed to write an original poem and me to translate the poem into Old English. Ishmael wrote the poem in the style of the 14th-century alliterative revival, which I then translated into Old English alliterative verse.

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Poeta Atlantiae 2019

Calligraphy and photograph of “Corene Cneoris” by Lady Kaaren Valravn
Calligraphy and photograph of “See Our Radiant King and Queen” by Lady Kaaren Valravn

The prompt for Poeta Atlantiae in 2019 was too good to pass up: choose two poetic forms that are from locations at least 500 miles from each other. I chose the ghazal, from Persian and Arabic traditions, and alliterative verse, from Old English tradition. Kaaren Valravn kindly did last-minute calligraphy of both poems for my entry’s display, for which I am eternally grateful.