Tag: illumination

2020 Secret Shiremate Gifts

In December 2020, Korrin Valravn arranged a “Secret Shiremate” exchange for our shire. I was excited to receive Ollam Ruaidhri an Cu, a lovely man, dear friend, and fellow bard, as my secret shiremate. We had four exchanges, and in no particular order, I wanted to share three of the things that I made (the fourth were cookies, and there is no evidence left of them).

Ollam Ruaidhri is a generous and crafty person, so I wove multiple yardages of inkle weaving, for him to use or gift (or both) as he saw fit.

The final bands are silk in shire colors (white and green), a semi-symmetrical narrrow weave in wool, a wide and long asymmetrical weave in wool, and a symmetrical weave in wool. I used some of the same wools in all three woolen weaves, which was a fun way to demonstrate the different effects you could create based on warping patterns.

In the survey we had to fill out, Ruaidhri also indicated that he did not have a shire token (!!) and that he liked practical items that fit in a pouch. Obviously, the answer was that he needed handkerchiefs with the shire populace badge.

The handkerchiefs are hand-hemmed linen embroidered with silk. I tried two different techniques for these to create both an outlined and a filled-in badge.

Finally, Ollam Ruaidhri has a wonderful dog named Zeus, so I had to do a small illumination of the lovely fellow. I adapted folio 19r from the Aberdeen Bestiary.

Here are some progress photos:

Urnes-Style Scroll

I picked up scribal in the fall of 2017, and although I was unable to attend the following Twelfth Night, I desperately wanted to enter the New Scribe Contest. Based on Her Majesty’s whims (Viking persona and a love of horses and the color red), I decided to do an Urnes-Style Horse and Grasping Beast Scroll. I was honored that my scroll was selected as the winner!

Because I wanted a challenging design (and I could not find any digitized exemplars of period illuminations that fit my concept, as Nordic manuscripts are rare before 1100), I decided to base my design on Urnes-style knotwork (c. 1050-1132). I used three artifacts as inspiration: 

I decided to adapt one of the Urnes-style grasping beasts into a horse, based on Her Majesty’s whims. The color choices were also influenced by an Urnes-style scroll found online dated 2007; I could not find the name of the original artist.  I used gouache and pencil on pergamenata.

As my third scroll ever, this scroll had many firsts for me: 

  • first entirely original composition for a scroll, 
  • first completed illustration of knotwork of any kind 
  • first attempt at freeform knotwork, and 
  • first scroll on pergamenata.
Sketch

 

Final Scroll

 

Scroll detail

First Scroll Blank

I painted my first scroll blank in 2017, the same year I joined the SCA. The elements were an amalgamation of elements from early 15th century manuscripts (I believe I pulled from BNF MSs. Français 117-120, which was made between 1400 and 1425, with some modifications to the illuminations in the 1460s). I then entered this scroll into the Twelfth Night scroll blank competition in 2019.

Photograph is courtesy of Tannis Baldwin, as I am awful at remembering to photograph my own items!