At the end of 2020, Korrin Valravn organized a scribal trading card exchange, with the cards being sent out in January 2021. I decided to submit a capital “D” from the Book of Kells, folio 85v.
In December 2020, Korrin Valravn arranged a “Secret Shiremate” exchange for our shire. I was excited to receive Ollam Ruaidhri an Cu, a lovely man, dear friend, and fellow bard, as my secret shiremate. We had four exchanges, and in no particular order, I wanted to share three of the things that I made (the fourth were cookies, and there is no evidence left of them).
Ollam Ruaidhri is a generous and crafty person, so I wove multiple yardages of inkle weaving, for him to use or gift (or both) as he saw fit.
The final bands are silk in shire colors (white and green), a semi-symmetrical narrrow weave in wool, a wide and long asymmetrical weave in wool, and a symmetrical weave in wool. I used some of the same wools in all three woolen weaves, which was a fun way to demonstrate the different effects you could create based on warping patterns.
In the survey we had to fill out, Ruaidhri also indicated that he did not have a shire token (!!) and that he liked practical items that fit in a pouch. Obviously, the answer was that he needed handkerchiefs with the shire populace badge.
The handkerchiefs are hand-hemmed linen embroidered with silk. I tried two different techniques for these to create both an outlined and a filled-in badge.
Finally, Ollam Ruaidhri has a wonderful dog named Zeus, so I had to do a small illumination of the lovely fellow. I adapted folio 19r from the Aberdeen Bestiary.
Here are some progress photos:
Wrote a poem! Did my first calligraphy! Threw in some illumination from the Book of Kells!
I was sick so the poem wasn’t as dramatic as I wanted it to be and the whole thing was late!
To Cuan, king of considerable worth:
Your bard begs you a brief moment
of time, attention, tolerance, and reprieve.
A report of a birthday reached my ears–
so a chronicle I conceive for the King of Atlantia,
a poem of his prowess, praising his might
with words of wisdom to warn and advise,
extolling the integrity of one .viii. times a king.
But unbidden, an illness attacked my form,
muddled my mind and mystified my pen.
Now my reason returns, revived and hale,
But the moment is missed! Mournfully thus
I weakly write a wish, with all goodwill
of a belated birthday from your King’s Bard.
In fall 2019, I wanted to improve my embroidery, so I drew a knotwork design that I decided to fill using a combination of satin stitch and split stitch. While the knotwork has finally been completed, I still have yet to decide what I’m going to sew it on to.
Battle on the Bay 2019 had an Epona-themed challenge—and as a horse lover, I had to enter something. I was on a huge knotwork kick, and I wanted something soothing, so I combined knotwork, a horse-shoe shape, and the Staffordshire Hoard’s “stylized horse” in this scroll blank. Materials are permanent pen and gouache
I picked up scribal in the fall of 2017, and although I was unable to attend the following Twelfth Night, I desperately wanted to enter the New Scribe Contest. Based on Her Majesty’s whims (Viking persona and a love of horses and the color red), I decided to do an Urnes-Style Horse and Grasping Beast Scroll. I was honored that my scroll was selected as the winner!
Because I wanted a challenging design (and I could not find any digitized exemplars of period illuminations that fit my concept, as Nordic manuscripts are rare before 1100), I decided to base my design on Urnes-style knotwork (c. 1050-1132). I used three artifacts as inspiration:
- Uppland Runic Inscription 871, 12th century, Sweden
- A brooch from Lindholm Høje, 11th century, Denmark
- Urnes Stave Church, c. 1132, Norway
I decided to adapt one of the Urnes-style grasping beasts into a horse, based on Her Majesty’s whims. The color choices were also influenced by an Urnes-style scroll found online dated 2007; I could not find the name of the original artist. I used gouache and pencil on pergamenata.
As my third scroll ever, this scroll had many firsts for me:
- first entirely original composition for a scroll,
- first completed illustration of knotwork of any kind
- first attempt at freeform knotwork, and
- first scroll on pergamenata.
I painted my first scroll blank in 2017, the same year I joined the SCA. The elements were an amalgamation of elements from early 15th century manuscripts (I believe I pulled from BNF MSs. Français 117-120, which was made between 1400 and 1425, with some modifications to the illuminations in the 1460s). I then entered this scroll into the Twelfth Night scroll blank competition in 2019.
Photograph is courtesy of Tannis Baldwin, as I am awful at remembering to photograph my own items!