For the second year in a row, I was proud to be a member of the Ottoman Mehter Takımı, or Janissary Band, at Pennsic. I was also asked to put together a display of the band’s material culture for the Known World A&S Display. I enjoyed coordinating it, and writing the materials allowed me to learn even more about the Mehteran! In this post, I’ve included photographs of the display and of my new uniform. After the cut is the display’s sign text.
Many thanks to Maggie Hays for the photos of the display below. It was rather hard to photograph, as it was long (two tables!) and tall (standards and flags!).
For my efforts in the A&S display, I was named an onbaşı (corporal) in September 2019.
As part of my individual efforts, I made a new uniform that was much more accurate than the one I wore in 2018.
For my new uniform, I made a new red coat, kaftan, pants, turban, and cross-body bag. Because I was making these close to Pennsic, most items were machine-sewn; however, I hand-finished the coat. I also made some prayer beads as an accessory to hang from my sash (and fiddle with while we were waiting to march!). I’m really happy with my uniform now, but for the next march I plan to update my hat (time for a historically accurate one — read below!) and my yellow sash (it’s just too flimsy.)
In Spring/Summer 2019 my friend Adelaide decided it was finally time to tackle a project she’d been wanting to do: a genderbent, period-accurate outfit based on Disney’s Rapunzel. As a knitter, I immediately volunteered to knit her a flat cap and garters. I was not particularly good at taking photos of my work before passing it off to Adelaide, but luckily our friend Kaaren Valravn took an excellent photo of Adelaide in the garb this fall where the garters and hat are perfectly visible.
In the summer of 2019, I went on a small jewellery/beading jag.
Left, top to bottom: necklace that doubles as circlet made of amber on beader’s wire; amber drop earrings; glass bead swag with removable beads (cord is beader’s wire with silver beads); amber and copper bead swag on beader’s wire for Old English garb (with brooches). These are all for wearing with my Old English garb.
Right, left to right: Pearl-and-amber paternoster on silk with silk tassel; green-stone-and-amber paternoster on cotton with cotton tassel; green stone prayer beads on cotton with cotton tassel. The first two paternosters are to wear with my 14th-century garb, while the prayer beads are for my Ottoman garb.
The prompt for Poeta Atlantiae in 2019 was too good to pass up: choose two poetic forms that are from locations at least 500 miles from each other. I chose the ghazal, from Persian and Arabic traditions, and alliterative verse, from Old English tradition. Kaaren Valravn kindly did last-minute calligraphy of both poems for my entry’s display, for which I am eternally grateful.
In 2019, I decided to make Ottoman Turkish garb for a Near-East-themed Twelfth Night — and won for Best Themed Garb in the Garb Runway Competition! I unfortunately got almost no pictures from the event, but below the cut I have my full documentation, progress photos, and pictures of the finished garb.
For Twelfth Night 2019, Vadoma organized an artisans’ exchange. I immediately signed up and was assigned Mistress Greer. Knowing her love for frogs and later-than-my-time persona, I was struck by inspiration: a frog on a lily-pad!
The “lily-pad” is a Tudor-style wool flat cap, knitted and fulled. The “frog” is a needle-felted wool pincushion; his spots are black-headed pins. The “flower” is two sets of inkle-woven trim, one purple-pink-white and one yellow-white with beads.
We were also requested to write a story about our objects!
In April 2018, I had the great honor to be part of the Shire of Roxbury Mill’s Revenge of the Stitch team for the first time. Our chosen garb was middle-class Tudor garb.
I had one responsibility: knit a Tudor flat cap and full it in the 24-hour time period. Folks were (understandably) a little concerned about the amount of time it would take me to knit, so I knit a test hat first.